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1995 · SNES · Super Famicom
| Region | Date | Publisher |
|---|---|---|
| Japan | 11 Mar 1995 | Square |
| North America | Aug 1995 | Square |
It opens at a fair. Crono meets Marle, his inventor friend Lucca shows off a teleporter, Marle's pendant reacts badly, and she vanishes 400 years into the past. From there the party hops between prehistory, the Middle Ages, a floating magic kingdom, a ruined future and the End of Time, a hub outside history, chasing a creature called Lavos that will wreck the world in 1999.
Battles happen right where you meet enemies, with no cut to a separate screen, and many monsters are in plain sight before you touch them. Each character learns eight Techs, and pairs or trios with the right ones combine them into Double and Triple Techs, so who you bring changes how every fight plays. Seven eras feed into one another: fix something in the past and the future shifts.
Square billed its core creators as a Dream Team: Hironobu Sakaguchi of Final Fantasy, Yuji Horii of Enix's Dragon Quest, and Dragon Ball artist Akira Toriyama. Masato Kato wrote most of the story, Kazuhiko Aoki produced, and Yasunori Mitsuda scored it with help from Nobuo Uematsu. It was planned for Nintendo's Super Famicom disk drive; when that was cancelled it moved to a 32-megabit cartridge with battery saves.
It came out in Japan in March 1995 and North America that August, selling two million copies in Japan in two months, second that year only to Dragon Quest VI. It also introduced New Game Plus, letting you restart with your levels and gear, and its multiple endings depend on when you choose to face Lavos, which you can do early. The DS version brought it to PAL regions in 2009.
Beautifully. It is brisk by the standards of its genre, rarely sends you on errands, and the combo system keeps even ordinary fights interesting. Toriyama's characters are expressive and funny, Frog's and Magus's stories still land, and Mitsuda's music is among the best on the console. The End of Time hub gives gentle hints so you are seldom lost.
The flaws are small. It is on the easy side, especially compared with Final Fantasy VI, and the main story ends sooner than you might want, though side quests and New Game Plus stretch it well. Crono never speaks, which some players find flat. The PC version launched in rough shape in 2018 but was patched heavily and now offers the original graphics.
Chrono Trigger is a game about going back. Fix something in the past and the future shifts; a ruined world can be mended by a visit to an older one. It is hard to think of a better picture of what people do with memory, and with this game in particular. Plenty of adults first played it as kids and still hum Mitsuda's music without meaning to.
Tim Wildschut and colleagues found nostalgia is mostly positive, often features close others, and raises social connectedness and self-regard. That fits. What people remember about Chrono Trigger is rarely the menus. It is Frog's story, the fair at the start, and who sat beside them on the floor. New Game Plus lets you start again carrying everything you earned, and nostalgia works much the same way: you go back not to stay, but to bring something forward.
Read: Why old games feel like home →
Verdict · 10/10
Among the best role-playing games of the 16-bit era, and one of the easiest to recommend to someone new to the genre. Few games this old feel so light and so complete.
